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Ram Charan's upcoming movies

Posted by Swaroop The King On February 02, 2012 0 comments
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Young hero Ram Charan is going places with the kind of assignments he is undertaking. Slowly, he is setting out a perfect example in planning one's career and this is a shock for industry's many big heroes.

Till he announced 'Rachcha', mud was shot on this young hero regarding his upcoming flick. It took some time for this young man to come out of the debacle of 'Orange'. Even after announcing 'Racchha', Cherry encountered lot of criticism for delays in the flick. As the film is nearing completion, Charan is shocking everyone by signing films back to back with top slot directors.

After 'Rachcha', Vamsi Padipalli's Yevadu is the venture of Charan, which is immediately followed by VV Vinayak's movie. According to the buzz, Srinu Vytla's project will be followed after the completion of these two movies under the production of Ashwini Dutt. Barely 3 movies old, Ram Charan's meticulous planning and serious execution is the talked about news all over industry.
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Rachana Mourya PhotoShoot photos

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Siddi New Photoshoot stills

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Allu Sirish With AR Murugadoss

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The last few weeks has been seeing some hustle bustle in the Allu house. The reason for that is, Allu Sirish who has been sitting in the chair of Geetha Arts office has now come out and is currently busy in Mumbai going through all the required training modules for becoming a complete actor.

Just recently, it was reported that Sirish is making his debut in Kollywood through the remake of the Telugu film ‘100% Hit’. Now, another talk has begun to make rounds in Kodambakkam and Filmnagar. It is heard that the chances of Sirish teaming up with director A R Murugadoss is on the cards.

Sources say the film has been titled ‘Thottal Poo Malarum’ and this is coming from the house of Murugadoss. Apparently, the title comes from a line of a hit Tamil song from an old movie starring MGR. Later, the same line was used for another song by S J Suryah for his film ‘New’ a remake of the Telugu film ‘Nani’. ‘Thottal Poo Malarum’ means ‘Flower blossoms as you touch it’. Let us wait for an official announcement regarding Sirish-Murugadoss project then.
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Rajinikanth to perform own stunts in next

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There's good new for Rajini fans as the South superstar has been declared fit by his doctors. This means that he will be able to perform his own stunts in daughter Soundarya's Kochadaiyyan, reports Subhash K Jha for Mid Day.

So instead of computer generated stunts, the film will see Rajini performing most of the action, says the tabloid.

"Earlier it had been decided to simulate the stunts through a cinematic device known as the performance-capturing technique. Given his health scare, the doctors had advised Rajni against physical exertion. But the star had put his foot down arguing that no computer would do the acting for him," writes Jha.

"Rajniji is fine now and in perfect physical condition. He will be performing a lot of his own stunts now but the performance-capturing technique will also be used," Producer Murli Manohar confirms to the tabloid.

While the doctors have given clean-chit to Rajini, Soundarya is still concerned about her father's health. "Soundarya is opposed to the idea. But Rajniji doesn't want to cheat his audiences. He says he feels better than ever before. Since we can't stop Rajniji, there will be health and action experts to ensure he doesn't get carried away and overdo the stunts," a source told the tabloid.

Hail Rajinikanth!
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'Devudu Chesina Manushulu'- Another Neninthe?!

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One of the most talked about movies of the season is ‘Devudu Chesina Manushulu’. The reason for that is, it is going to be a project of Puri Jagannadh and the title is rather unconventional given his flavour of films. Now, the big question that has risen among many is, what genre of a film will this be.

All fingers are pointing towards one direction- Will it be like ‘Neninthe’?. Apparently, ‘Neninthe’ was a film which attempted to give a realistic side of the cinema industry and the buzz is that with ‘Devudu Chesina Manushulu’ Puri is attempting to show about other things in the world apart from cinema and the realistic nature of human psychology.

Of course, ‘Neninthe’ was a major dud. So it is heard that Puri is taking all necessary precautions to ensure that the script is strong and the message to the audience goes with the right punch. With Ravi Teja being roped in as the main lead, let us see how this Puri masala will work.
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Top Lyricists In Tollywood

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Usually, a lifetime achievement award is given for a person in the final years of their life and has retired from their profession. It is more like a felicitation in recognition to their services. This was the discussion happening among few cine folks during the recent MAA Music awards.

Lyricist Seetarama Sastry got the Lifetime Achievement honour in the event. Many said “This means Sirivennela has almost touched the retirement age. This also means he will now be kept in a corner in terms of offering work. Anyhow, Sirivennela is not competing with anyone in the field.”

They add “His writing has reduced a great deal. Unless he is forced or likes a particular concept he will write. This leaves us with the fact about who is now in top league of Tollywood lyricists. The hot favourites are Bhaskarabhatla, Ramajogayya Sastry, Chandrabose, Anant Sriram, Suddala Ashok Teja who are in top league”.
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Boothu Song Tension At 'Vennela One and Half'

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Ever since the time it started the film ‘Vennela 1.5’ has been making some headlines or the other but for sensational reasons. Now, it is heard that few tensions are still surrounding the film and this has to do with one of the songs which was used for the publicity and promos.

The track goes ’Rape chey…ivaala kakapote rape chey…’ and it is heard that the director/actor Vennela Kishore himself wrote that ‘Boothu’ song. There is a talk that he is also challenging censor board if they can axe it. As such, February 5th has been decided as the audio release date.

The venue is Ravi Narayana Reddy hall in Hyderabad. The mystery is - has Vennela Kishore kept the song in the album or was it used for just publicity. The cine folks are saying he is becoming like Ram Gopal Varma through his level of controversy creating and some are also terming him as Andhra Ekta Kapoor for the flavour of the posters and the songs.
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Why SS Thaman Kicked Out DSP?

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There was a time when Devi Sri Prasad was considered the hot property for any filmmakers. Today, he got camouflaged by new waves. It is known that his place has been taken by one man. He is S S Thaman.

Apparently, Thaman is beating non-stop tunes for many films. Some say, “After DSP, Thaman is the chosen one. He has been churning out chartbusters and there is a strong energy in the songs. He has captured the market and gives a competitive pricing to the producers. People have forgotten Devisri Prasad now.”

In fact, the fast delivery of work with almost half of remuneration of what DSP takes made Thaman fly high in his career. Moreover his rapport with heroes like Ravi Teja, Mahesh Babu and others kept him on the first choice of big films.

However, there is another group which is not so pro towards Thaman. They say “The biggest complaint with Thaman is his lack of versatility in music. His dependency on auto tuners is killing the beauty of voices with monotonous feel. Most of his compositions eat away the words and the tune is loud. If he can control that he will reach the ivy league.” There is another group which says “Throwing stones at a growing person is natural but such feedbacks also have a point that one should bear in mind.”
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'Love Failure' Song Inspired From ANR Film

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Hero Siddarth is starting a new journey as a producer and this is happening through the film ‘Love Journey’. Recently, the audio release took place and the music is composed by Thaman. Now, the first song in the album has been getting a specific feedback.

Buzz is that the number ‘Parvathi Parvathi…’ seems to be a strong inspiration from a black and white classic. Apparently, this is from the film ‘Preminchi Choodu’ which came in 1965 and the song goes ”meda meeda meda katti kotlu kooda betti natti kaamandu..hello hello…come on come on come on ..come on… raa mundu”

The music director for that was Master Venu . Now, those who are familiar with the black and white classics urge that ‘Parvathi Parvathi…’ has taken a strong inspiration from the above mentioned number. With the general perception that Thaman is known for inspiration compositions, let us see how it goes.
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Nayantara Becomes Draupadi Of 5 Heroes

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With the news almost confirmed that Nayantara is continuing her career as an actress and the buzz that she has parted ways with Prabhu Deva, the moviemakers are rushing to her door. Right now, it appears that Nayan has become like Draupadi as she is expected to pair with five big heroes.

Already, Nandamuri Balakrishna who paired with her in ‘Sri Rama Rajyam’ is reportedly in talks to rope her for another project. Sources also reveal Ravi Teja is planning to get Nayan for his film. Already, there is news that Nayan has signed a film with Nagarjuna under the direction of Dasarath.

In the pipeline are talks for one more film with Venkatesh. On the Kollywood front, there is a strong grapevine that Nayan is being approached for becoming the heroine of Ajith. At this rate, the day is not far when the likes of Kajal, Ileana, Tamannah should pull up their socks to face the Nayan tsunami.
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Journey 50 Days Poster

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SMS Releasing Soon Poster

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Saif Ali Khan's AGENT VINOD New Video Song

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Ishq Theatrical Trailer

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Panjaa (2012) 720p HD Video Songs Download

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Download Links


1 - Panja




2 - Veyira Cheyi Veyira




3 - Kshanam Kshanam




4 - Anukoneleduga




5 - Ela Ela




6 - Paparayudu

Screenshots 

 
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Nithin's ISHQ Movie Videos Songs

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Panjaa Full Movie Original Watch Online

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13 Photographs That Changed the World

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1. The Photograph That Raised the Photojournalistic Stakes: 

"Omaha Beach, Normandy, France"
Robert Capa, 1944


"If your pictures aren’t good enough," war photographer Robert Capa used to say, "you aren’t close enough." Words to die by, yes, but the man knew of what he spoke. After all, his most memorable shots were taken on the morning of D-Day, June 6, 1944, when he landed alongside the first waves of infantry at Omaha Beach.
Caught under heavy fire, Capa dove for what little cover he could find, then shot all the film in his camera, and got out – just barely. He escaped with his life, but not much else. Of the four rolls of film Capa took of the horrific D-Day battle, all but 11 exposures were ruined by an overeager lab assistant, who melted the film in his rush to develop it. (He was trying to meet the deadline for the next issue of Life magazine.)
In an ironic twist, however, that same mistake gave the few surviving exposures their famously surreal look ("slightly out of focus," Life incorrectly explained upon printing them). More than 50 years later, director Steven Spielberg would go to great lengths to reproduce the look of that "error" for his harrowing D-Day landing sequence in "Saving Private Ryan," even stripping the coating from his camera lenses to echo Capa’s notorious shots.


2. The Photograph That Gave a Face to the Great Depression

"Migrant Mother"
Dorothea Lange, 1936
As era-defining photographs go, "Migrant Mother" pretty much takes the cake. For many, Florence Owens Thompson is the face of the Great Depression, thanks to legendary shutterbug Dorothea Lange. Lange captured the image while visiting a dusty California pea-pickers’ camp in February 1936, and in doing so, captured the resilience of a proud nation facing desperate times.
Unbelievably, Thompson’s story is as compelling as her portrait. Just 32 years old when Lange approached her ("as if drawn by a magnet," Lange said). Thompson was a mother of seven who’d lost her husband to tuberculosis. Stranded at a migratory labor farm in Nipomo, Calif. her family sustained themselves on birds killed by her kids and vegetables taken from a nearby field – as meager a living as any earned by the other 2,500 workers there. The photo’s impact was staggering. Reproduced in newspapers everywhere, Thompson’s haunted face triggered an immediate public outcry, quickly prompting politicos from the federal Resettlement Administration to send food and supplies. Sadly, however, Thompson and her family had already moved on, receiving nary a wedge of government cheese for their high-profile misery. In fact, no one knew the identity of the photographed woman until Thompson revealed herself years later in a 1976 newspaper article.

3. The Photograph That Brought the Battlefield Home

"Federal Dead on the Field of Battle of First Day, Gettysburg, Pennsylvania"
Mathew Brady, 1863


As one of the world’s first war photographers, Mathew Brady didn’t start
out having as action-packed a career as you might think. A successful daguerreotypist and a distinguished gentleman, Brady was known for his portraits of notable people such as Abraham Lincoln and Robert E. Lee. In other words, he was hardly a photojournalist in the trenches.
In fact, Brady had everything to lose by making a career move – his money, his business, and quite possibly his life. Nevertheless, he decided to risk it all and follow the Union Army into battle with his camera, saying, "A spirit in my feet said, ‘Go!’" And go he did – at least until he got a good look at the pointy end of a Confederate bayonet.
After narrowly escaping capture at the first Battle of Bull Run, Brady’s chatty feet quieted down a bit, and he began sending assistants in his place. In the span of only a few years, Brady and his team shot more than 7,000 photographs – an astounding number when you consider that developing a single plate required a horse-drawn-wagon-full of cumbersome equipment and noxious chemicals. Not exactly what you’d call "point-and-shoot."
Tethered as he was to his equine-powered darkroom and with film speeds being much slower then, Brady produced war photos that are understandably light on the action and heavy on the aftermath. Still, they mark the first time Americans were so immediately confronted with the grim realities of the battlefield.

4. The Photograph That Ended a War But Ruined a Life
"Murder of a Vietcong by Saigon Police Chief"

Eddie Adams, 1968



"Still photographs are the most powerful weapon in the world," AP photojournalist Eddie Adams once wrote. A fitting quote for Adams, because his 1968 photograph of an officer shooting a handcuffed prisoner in the head at point-blank range not only earned him a Pulitzer Prize in 1969, but also went a long way toward souring Americans’ attitudes about the Vietnam War.
For all the image’s political impact, though, the situation wasn’t as black-and-white as it’s rendered. What Adams’ photograph doesn’t reveal is that the man being shot was the captain of a Vietcong "revenge squad" that had executed dozens of unarmed civilians earlier the same day. Regardless, it instantly became an icon of the war’s savagery and made the official pulling the trigger – General Nguyen Ngoc Loan – its iconic villain.
Sadly, the photograph’s legacy would haunt Loan for the rest of his life. Following the war, he was reviled where ever he went. After an Australian VA hospital refused to treat him, he was transferred to the United States, where he was met with a massive (though unsuccessful) campaign to deport him. He eventually settled in Virginia and opened a restaurant but was forced to close it down as soon as his past caught up with him. Vandals scrawled "we know who you are" on his walls, and business dried up.
Adams felt so bad for Loan that he apologized for having taken the photo at all, admitting, "The general killed the Vietcong; I killed the general with my camera."

5. The Photograph That Isn’t as Romantic as You Might Think
"V-J Day, Times Square, 1945", a.k.a. "The Kiss"

Alfred Eisenstaedt, 1945


On August 14, 1945, the news of Japan’s surrender was announced in the United States, signaling the end of World War II. Riotous celebrations erupted in the streets, but perhaps none were more relieved than those in uniform. Although many of them had recently returned from victory in
Europe, they faced the prospect of having to ship out yet again, this time to the bloody Pacific.
Among the overjoyed masses gathered in Times Square that day was one of the most talented photojournalists of the 20th century, a German immigrant named Alfred Eisenstaedt. While snapping pictures of the celebration, he spotted a sailor "running along the street grabbing any and every girl in sight." He later explained that, "whether she was a grandmother, stout, thin, old, didn’t make any difference."
Of course, a photo of the sailor planting a wet one on a senior citizen wouldn’t have made the cover of Life, but when he locked lips with an attractive nurse, the image was circulated in newspapers across the country. Needless to say, "V-J Day" didn’t capture a highly anticipated embrace by long-lost lovers, but it also wasn’t staged, as many critics have claimed. In any case, the image remains an enduring symbol of America’s exuberance at the end of a long struggle.

6. The Photograph That Destroyed an Industry
"Hindenburg"

Murray Becker, 1937


Forget the Titanic, the Lusitania, and the comparatively unphotogenic accident at Chernobyl. Thanks to the power of images, the explosion of the Hindenburg on May 6, 1937, claims the dubious honor of being the quintessential disaster of the 20th century.
In the grand scheme of things, however, the Hindenburg wasn’t all that disastrous. Of the 97 people aboard, a surprising 62 survived. (in fact, it wasn’t even the worst Zeppelin crash of the 20th century. Just four years earlier, the U.S.S. Akron had crashed into the Atlantic killing more than twice as many people.) But when calculating the epic status of a catastrophe, terrifying photographs and quotable quotes ("Oh, the humanity!") far outweigh body counts.
Assembled as part of a massive PR campaign by the Hindenburg’s parent company in Germany, no fewer than 22 photographers, reporters, and newsreel cameramen were on the scene in Lakehurst, N.J. when the airship went down. Worldwide publicity of the well-documented disaster shattered the public’s faith in Zeppelins, which were, at the time, considered the safest mode of air travel available.
During the 1920s and 1930s, Zeppelins had operated regular flights, totting civilians back and forth between Germany and the Americas. But all of that stopped in 1937. The incident effectively killed the use of dirigibles as a commercially viable mode of passenger transport, ending the golden age of the airship not with a whimper, but with a horrific bang that was photographed and then syndicated around the globe.

7. The Photograph That Saved the Planet
"The Tetons – Snake River"

Ansel Adams, 1942


Some claim photography can be divided into two eras: Before Adams and After Adams. In Times B.A., for instance, photography wasn’t widely considered an art form. Rather, photographers attempted to make their pictures more "artistic" (i.e., more like paintings) by subjecting their exposures to all sorts of extreme manipulations, from coating their lenses with petroleum jelly to scratching the surfaces of their negatives with needles. Then came Ansel Adams, helping shutterbugs everywhere get over their collective inferiority complex.
Brashly declaring photography to be "a blazing poetry of the real," Adams eschewed manipulations, claiming they were simply derivative of other art forms. Instead, he preached the value of "pure photography." In an era when handheld point-and-shoot cameras were quickly becoming the norm, Adams and other landscape photographers clung to their bulky, old-fashioned large-format cameras. Ultimately, Adams’ pictures turned photography into fine art. What’s more, they shaped the way Americans thought of their nation’s wilderness and, with that, how to preserve it.
Adams’ passion for the land wasn’t limited to vistas he framed through the lens. In 1936, he accompanied his photos to Washington to lobby for the preservation of the Kings Canyon area in California. Sure enough, he was successful, and it was declared a national park.


8. The Photograph That Kept Che Alive
"The Corpse of Che Guevara"

Freddy Alborta, 1967


Sociopathic thug? Socialist luminary? Or as existentialist Jean-Paul Sartre called him, "the most complete human being of our age"? Whatever you believe, there’s no denying that Ernesto "Che" Guevara has become the patron saint of revolutionaries. Undeniably, he is a man of mythical status – a reputation that persists less because of how he lived than because of how he died.
Unenthused by his efforts to incite revolution among the poor and oppressed in Bolivia, the nation’s army (trained and equipped by the U.S. military and the CIA) captured and executed Guevara in 1967. But before dumping his body in a secret grave, they gathered around for a strategic photo op. They wanted to prove to the world that Che was dead, in hopes that his political movement would die with him. in fact, anticipating charges that the photo had been faked, Che’s thoughtful captors amputated his hands and preserved them in formaldehyde.
But by killing the man, Bolivian officials unwittingly birthed his legend. The photo, which circulated around the world, bore a striking resemblance to Renaissance paintings of Christ taken down from the cross. Even as Che’s killers preened and gloated above him (the officer on the right seems to be inadvertently pointing to a wound on Guevara’s body near where Christ’s final wound was inflicted), Che’s eerily peaceful face was described as showing forgiveness. The photo’s allegorical significance certainly wasn’t lost on the revolutionary protesters of the era. They quickly adopted "Che lives!" as a slogan and rallying cry. Thanks to this photograph, "the passion of the Che" ensured that he would live on forever as a martyr for the socialist cause.


9. The Photograph that Allowed Geniuses to Have a Sense of Humor
"Einstein with his Tongue Out"

Arthur Sasse, 1951

Arthur Sasse/AFP-Getty Images

You may appreciate this memorable portrait as much as the next fellow, but it’s still fair to wonder: "Did it really change history?" Rest assured, we think it did. While Einstein certainly changed history with his contributions to nuclear physics and quantum mechanics, this photo changed the way history looked at Einstein. By humanizing a man known chiefly for his brilliance, this image is the reason Einstein’s name has become synonymous not only with "genius," but also with "wacky genius."
So why the history-making tongue? It seems Professor Einstein, hoping to enjoy his 72nd birthday in peace, was stuck on the Princeton campus enduring incessant hounding by the press. Upon being prodded to smile for the camera for what seemed like the millionth time, he gave photographer Arthur Sasse a good look at his uvula instead. This being no ordinary tongue, the resulting photo became an instant classic, thus ensuring that the distinguished Novel Prize-winner would be remembered as much for his personality as for his brain.


10. The Photograph That Made the Surreal Real
"Dalí Atomicus"

Philippe Halsman, 1948

Philippe Halsman / Estate of Philippe Halsman

Philippe Halsman is quite possibly the only photographer to have made a career out of taking portraits of people jumping. But he claimed the act of leaping revealed his subjects’ true selves, and looking at his most famous jump, "Dalí Atomicus," it’s pretty hard to disagree.
The photograph is Halsman’s homage both to the new atomic age (prompted by physicist’ then-recent announcement that all matter hangs in a constant state of suspension) and to Dalí’s surrealist masterpiece "Leda Atomica" (seen on the right, behind the cats, and unfinished at the time). It took six hours, 28 jumps, and a roomful of assistants throwing angry cats and buckets of water into the air to get the perfect exposure.
But before settling on the "Atomicus" we know today, Halsman rejected a number of other concepts for the shot. One was the idea of throwing milk instead of water, but that was abandoned for fear that viewers, fresh from the privations of World War II, would condemn it as a waste of milk. Another involved exploding a cat in order to capture it "in suspension," though that arguably would have been a waste of cats.
Halsman’s methods were as unique as they were effective. His celebrity "jump" portraits appeared on at least seven Life magazine covers and helped usher in a new – and radically more adventurous – era of portrait photography.


11. The Photograph That Lied
"Loch Ness Monster" a.k.a. "The Surgeon’s Photo"

Ian Wetherell, 1934


While strange sightings around Scotland’s murky Loch Ness date back to 565 C.E., it wasn’t until photography reached the Loch that Nessie Fever really took off. The now-legendary (and legendarily blurry) "surgeon’s photo," reportedly taken in April of 1934, fueled decades of frenzied speculation, several costly underwater searches, and a local tourism industry that rakes in several million dollars each year.
But the party almost ended in 1994, when a report was published saying that model-maker Christian Spurling admitted to faking the photo. According to Spurling’s statement, his stepfather, Marmaduke Wetherell, worked as a big game hunter and had been hired by London’s Daily Mail to find the beast. But rather than smoke out the creature, he decided to fake it. Wetherell, joined by Spurling and his son, Ian, built their own monster to float on the lake’s surface using a toy submarine and some wood putty. Ian actually took the photo, but to lend more credibility to the story, they convinced an upstanding pillar of the community – surgeon Robert Kenneth Wilson – to claim it as his own. Just goes to prove the old adage, "The camera never lies." People, on the other hand, do.


12. The Photograph That Almost Wasn’t
"Gandhi at his Spinning Wheel"

Margaret Bourke-White, 1946


"Gandhi at his Spinning Wheel," the defining portrait of one of the 20th century’s most influential figures, almost didn’t happen, thanks to the Mahatma’s strict demands. Granted a rare opportunity to photograph India’s leader; Life staffer Margaret Bourke-White was all set to shoot when Gandhi’s secretaries stopped her cold: If she was going to photograph Gandhi at the spinning wheel (a symbol for India’s struggle for independence), she first had to learn to use one herself.
But that wasn’t all. The ascetic Mahatma wasn’t to be spoken to (it being his day of silence.) And because he detested bright light, Bourke-White was only allowed to use three flashbulbs. Having cleared all these hurdles, however, there was still one more – the humid Indian weather, which wreaked havoc on her camera equipment. When time finally came to shoot, Bourke-White’s first flashbulb failed. And while the second one worked, she forgot to pull the slide, rendering it blank.
She thought it was all over, but luckily, the third attempt was successful. In the end, she came away with an image that became Gandhi’s most enduring representation. it was also among the last portraits of his life; he was assassinated less than two years later.


13. The Photograph That Foreshadowed the Future
"Le Violon d’Ingres"

Man Ray, 1924


Before there was photoshop, there was Man Ray. One of the world’s most original photographers, Ray was tireless experimenter. In fact, his work was so inventive that he eventually left the camera behind altogether, creating his surreal "Rayographs" entirely in the darkroom.
"Le Violon d’Ingres" is perhaps his best-known photograph, and one of his earliest. Like many pieces from the Dada movement (which Ray is credited with bringing to the United States), it’s a visual pun. By drawing f-holes on his model’s back, he points out the similarities between the body of a woman and the body of a violin. But it’s a literal pun, as well. Both the model’s dress and pose echo a famous painting by French artist Jean-Auguste-Dominiqe Ingres, whose hobbies were depicting female nudes and playing the violin.
More than just highbrow it, however, Ray’s work was far ahead of its time. By ridiculing a now-obsolete concept – the photographic image as literal interpretation of reality – his pictures foreshadowed our own digital revolution.
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